Tomas (Johannes Bah Kuhnke ) is on a skiing holiday with his wife Ebba and the two kids. Avalanches are controlled through detonation and one seems to be heading towards them. Tomas grabs his Iphone and runs away leaving Ebba to look after the kids. The avalanche leaves only a harmless mist of snow which does not reach them. He returns to his family. He must deal with his cowardice.
This film is an unrelenting gaze at our failure to live up to the painfully flattering image we like to make of ourselves. This is an affluent middle class family, the couple are good looking and enjoy all the status advantages, but this is undone in a moment of cowardice. The middle class family starts to fall apart. Ebba and the kids reproach Tomas who initially can’t be honest about running away. He justifies himself by arguing that actions can be interpreted in different ways. The evidence of the Iphone is irrefutable and his loss of face before his wife and friends is sadistically drawn out. His friend Mats makes excuses for him “You were safe so you could dig them out?”. The more he tries to excuse Tomas, the more embarrassing it becomes because all this painful justification convinces no-one. Tomos then turns the event into a sort of family therapy session, absurdly claiming victimhood in order to win his wife’s sympathy. He wants absolution and bizarrely seems to arrange a skiing accident which will flatter his male ego. The desolation of the snowy landscape is good background for stripped down emotions, accentuating the transience of the affluent smugness that intrudes on it. The wheezing machinery in the snow looks like a spidery cage opening on freezing death. Grim.