We Bought a Zoo

21 Mar

We Bought a Zoo posterSynopsis

Based on Guardian journalist’s real life purchase of a zoo in Dartmoor and what happens to it.  Matt Damon plays Benjamin Mee.  His wife has died and his son is in a state of grief.  His daughter is enthusiastic about him buying a house in the country and the small zoo that goes with it.  Their workers are Scarlett Johannssen, a feisty Scott (Angus MacFadyren), a teenage girl with a crush on the son and other willing helpers.  Tangled with issues of bereavement there is an ageing tiger.  There are bureaucrats, money problems and a storm threatens opening day………


This is a sentimental film, now set in California, in which everybody comes through emotional ordeals all the stronger.  They have to, this is a mainstream film.  Animals on film over the last half century or so, from Born Free (about a lioness) to zoo programmes, Tarzan and so on, have all shown a Disneyland view of animals.  Their activities are circumscribed by the requirements of sentiment, this film is not an exception.  A dying tiger becomes a sort of cathartic symbol of Damon’s grief management.  Other animals look like cute pets as their lives are controlled by culturally correct self-delusion, one is no longer allowed to call a cage ‘a cage’, but an enclosure.  A change of words doesn’t change the reality for the captive animal.  Bereavement is worked out by the usual guilt and remorse routine as the zoo itself becomes a sort of school of self therapy.  We are not shown the realities of looking after animals in a zoo, in this sanitized place there’s hardly a hint of bodily functions.  Those of us who’ve looked after an old pet know all about that stink and mess.  Scarlett Johannssen would get whisked off to the big city pretty quick and we get no insight into her chosen way of life, she is just a good egg who has a way with animals and who of course will straighten Damon emotionally.  It’s all very treacly and predictable.  We get the anti-bureaucratic feisty Scot and the sleazy bureaucrat who should be given their own compound labelled ‘lovable stereotypes’.  In order to avoid embarrassing lapses into what could look like goofy family camcorder shots, we get zingy pop songs which don’t have any obvious reference to what’s on the screen and we get relentless action like those quick fire adverts as if to avoid lingering lachrymosity.  Sentiment is frogmarched off between the toolbox and getting the job done.  There is a sort of nod to Noah’s Ark, as a storm threatens to maroon the zoo, then the sun comes out and everything is okay.  Undemanding but likeable.


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One response to “We Bought a Zoo

  1. Cathryn

    March 29, 2012 at 10:48 pm

    met up with a friend today who was shocked by the amount of bad language in this for a ‘PG’ rated film – i plan to go to see it at chapter with my littlest one next month at chapter (due to older brothers he is no longer shockable)


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